To coincide with our presentation at Cannes Marche Du Film this month, we were delighted to feature in this month’s Screen Daily article about the future of interactive filmmaking.
You can read the article below or online here
BRISTOL, UK – July 1 2021
UK start up Stornaway.io today releases the world’s first game engine for YouTube’, allowing filmmakers, game producers and YouTubers to make interactive films and Full Motion Video games on YouTube.com.
The YouTube game engine …
The Stornaway.io team are always being asked advice on how to make interactive videos better. How does someone who has never made an interactive video begin?
We designed Stornaway.io authoring tools with that in mind.
To let producers of all …
Choose Wisely : Interactive filmmaking with Stornaway.io
In this lunchtime talk for the Watershed’s Pervasive Media Studio in Bristol, co-founders Kate and Ru cover the difficulties of production, the boost from Netflix’s investment in interactive and the advantage of rapid, …
We are all exhausted from staring at our screen for a year. We are craving real human contact and intuitive understanding more than ever. To be seen, to be recognised and to be entertained. The kind of connection that a …
American University’s School of Communication Teaches Interactive filmmaking with Stornaway.io
The Film and Media Arts division of the School of Communication at American University in Washington, D.C., is the first university to use the interactive filmmaking platform Stornaway.io to introduce …
…While interactive TV shows have been talked about for years, limited examples have actually made it to the screen, in part due to the complexity of creating them. But a new software tool, Stornaway.io, signals how this might get
We are delighted to announce the Immersive Encounters first release of Ru Howe’s interactive short Life Moves Pretty Fast
Click on image to watch the film
Kate Dimbleby, co-creator of Stornaway, tells Jenny Priestley about the new production tool that aims to take the headache out of creating interactive content.
“At the moment, we tend to see branching narratives of the …
