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New! Academic offer for 2021/22 – Explore Interactive Filmmaking with

By September 6, 2021No Comments

“Having the opportunity to add this project to their CV will really give the students an edge when they graduate as not many students in the world, let alone the UK will be able to say they have been part of a project like this”
Dr Roy Hanney, Southampton Solent University

Universities and film schools in the UK, Europe and US have transformed their interactive filmmaking and narrative modules this year using with students adding this future-proofing skill to their CV’s and showing off their work at short film festivals. 

Film and game departments are using our no-code collaborative toolset to bridge the gap between traditional filmmaking and immersive content creation. was launched last year to simplify the end-to-end production process and make it super easy for filmmakers to dream up and produce fun, multilayered interactive films in fiction and non-fiction. Without coding, without complexity – like Avid or Premiere for interactive filmmaking.


Students can continue to use our free Personal plan to plan and write their interactive stories. Then, as a teacher, you can buy an Academic upgrade for only $348/£250 which unlocks: 

  • Collaboration – so you can review their work and they can share projects with each other
  • Resources – shared knowledge on course structures and interactive storytelling
  • Support – from’s expert team for students 
  • Publishing – share your student’s projects on the web & social (optional)
  • Community – connect with the pioneering group of academics using

This affordable offer makes it easy for universities to sign up. We can send you a simple agreement to review and sign with your department.

Get in Touch

“Working with is a great example of the way in which collaboration between industry and academic can not only enhance the student experience but can also be of real benefit to a business. Not only are students getting the opportunity to work in a new and emerging area of media production practice they are also working with a start-up company and their feedback will help further develop and refine the platform. This is real research and development which everyone is benefiting from”.
Dr Roy Hanney, Southampton Solent University

See examples and testimonials below, visit our website – – and watch the 3-minute getting started video to see why people love using it.

Here are just a few ways that is being used in film and media courses across the world


Behind Closed Doors

Horror short (Josefine Midtgaard, Hanna Szwebs and Laura Bonde Pedersen, University of Copenhagen) – the gripping and disturbing story of a young woman in Copenhagen who’s just moved into a new apartment far away from family and friends.

“When creating the interactive experience, our goal was to find the best balance between the interactivity and narration, so the interactive elements seemed as a natural component of the fictional world without disrupting the film viewing. We wanted the viewer to first and foremost feel like they were engaged in the character and the storyline and didn’t want the interactive elements to make the film feel like a game.

We are currently writing our thesis on the concept of interactive horror films, which we deem an interesting case of study, as It can be argued that the interactive elements form a more complex way of watching and understanding the story, and offer storytelling through different senses than that of traditional storytelling. Our main interest is the cognitive aspect on the interrelation between narration and interactivity, and which consequence these two relations has on the viewer’s identification with the main character and whether the interactivity hinder or reinforce their cognitive process” – Laura Bonde Pedersen, Student Filmmaker.


Drama (Archie Everett, Megan Vedmore, Southampton Solent University) – A young woman in an abusive relationship feels today is the day she could escape and claim her freedom, but for what price? Warning – contains some upsetting scenes.

Dr Roy Hanney, Course leader in media production at Southampton Solent University Worked with Level 5 Media students to make 6 interactive films in one semester (in lockdown). 3AM (above) is one of them. 

Watch his presentation about this experience – presented at the Interactive Film and Media Conference 2021 

And read his blog posts :

Stories for Change/Experimental

Circle of Hell

A ‘handover’ project by a class of 1st-year film students at American University in Washington DC. 14 students each wrote and directed a short in lockdown, handing a prop or line of dialogue over to each other. One group of 7 designed a story world they called the ‘circle of hell’, with 7 interconnecting films – at the end of each, you get a choice to view one of 2 related shorts to watch next.

“I was so impressed with what these first-year, first-semester film students were able to create despite all the constraints of the pandemic and it was really exciting to see them using Stornaway’s concept of Story Islands as a way of working together,”’s founder Ru Howe said.

The Faculty at American University’s School of Communication were particularly interested in using’s storytelling tools for interactive films for change. Read more in our blog: 

American University’s School of Communication Teaches Interactive filmmaking with

Digital Media/Research

The New Normal

Documentary/research scenario (Federica Lombardi and Denise Nicolau, Masters in Graphic Design, University of Florence) – The pandemic changed the way we work and live.  But is this the New Normal? 

“I can Highly Recommend the Stornaway Platform.  Perfectly designed for the job!”Mitch Turnbull, Lecturer in Digital Media and Director, Bramble Media



Experimental (UK, UWE, 2021). Kate Moody, Felix Hodgson and Louis Barron-Forde, all film students at the University of the West of England, used in their experimental film course to make ‘Lost and Found’ a beautiful experimental exploration of memory.

Dr Judith Aston, Associate Professor of Interactive and Immersive Media at UWE contacted when she was looking for new ways to work remotely with her first year students during lockdown. 

As founding director of i-Docs (the leading centre in Europe for research into evolving documentary practices), Dr Aston has been a pioneer in the field of film and creative technology for decades and was excited to introduce the platform to her students as part of her Experimental Filmmaking Module in the Spring.

“It worked like a dream and we were all really impressed with what they came up with, so well worth fixing in time. Let’s catch up soon and see how we can progress this with the students. They’ll have plenty of opportunities in their second year, and of course over the summer, to do some more experimenting and playing!” Judith Aston, UWE 

“The software was very simple and effective to use. Such a good way of storyboarding out what you want to do as well” Kate Moody, Filmmaking Student


Course leader Rachel Mills at the University of West of England introduced to her 3rd-year animation students as part of their “Live Brief” project.

“The final year students working on this project really rose to the challenge, produced some great ideas, and got to grips with branching narrative. I’m very proud of the way they communicated during the project and the input they gave on the software. There is so much potential within interactive storytelling to use animation. I suspect many of the students will go on to work further in this area. I am looking forward to students exploring further interactive storytelling within in the next academic year.”

Games/FMV/Branching Narrative


Interactive film game (UK, London 2021) Somriddho Gupta, Digital Media Student, Royal Holloway Uni, London

An interactive story game.  You decide how Alexa/Sam gets ready for their date. But it does it make a difference?

Netflix and other major platforms are now investing heavily in interactive films like Bandersnatch and FMV Games are growing in popularity on Steam and consoles. offers a solution for these previously very difficult to make formats – a collaborative, no code authoring tool. Like Twine, but with real-time video playback. 

Some of the world’s most experienced FMV game creators are using to make games for Steam, Xbox, PS5, Switch, mobile & theaters.

We have seen how provides a bridge across film and game departments to enable multi-disciplinary teams to get the storytelling in place before any expensive graphics or coding.

We will be releasing our Unity integration this Autumn and we are keen to hear from any Immersive/Game departments seeking to beta-test and innovate in this area.

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